| Year: | 2010 | | Genre: | Drama, Mystery, Thriller | | Starring: | Natalie Portman, Mila Kunis, Vincent Cassel | | Director: | Darren Aronofsky |
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Runtime: 108 min
Audio: 2.1 Stereo
Language: English
Frame Rate: 25 fps
Video Bitrate: 5228 Kb/sec
Audio Bitrate: 384 kbps |
Review: I had the opportunity to see Black Swan in one of the 18 theaters that opened this weekend, although generally not done, I was compelled to write a review of the first film.From to bottom, this video is of what it means to be real art in cinema. The individual elements of the film, the mise-en-scene, it was so incredibly organized by director Darren Aronofsky that just sit back and enjoy the smoothness of movement of the camera, or the middle of a wonderful color koloróww film has its own scheme koloró , above largely devoted to the symbolism of the performance and white.The white, where in place, Vincent Cassel was fantastic as suspicious teacher whose splendor and lust dancers in the show are both fairly serious, often beating other. And Mila Kunis really shines in this, revealing the side of her many probably did not know was possible. She is absolutely beautiful and aptly demonstrates the contradictions Natalie Portmans black and white, an amazing contrast of good and evil. Kunis, however, as many may think, is not to be there, to call a general conflict between good and evil, but pay attention to the way Portman, I have not seen yet. Aside from that, you are on the brink of insanity on obtain.And here is the real theme of the film, obsession and exercise for all. Like the main character in The Wrestler dedicated to the art form we underestimated physics. Here, it is an obsession Portmans with more guidance from the ballet Swan Lake that drives her crazy. Enter your mind as well as his teacher pushes her to become more perfect, pushing her to let go of her fragile white swan and become loose and destructive Black Swan. How to track it through the stages of his interrogation, which leads to the final boom becomes less and less aware of what is around it is a distortion, and what is reality. Although it loses traction, Aronofskys ability to represent the psychological deterioration of lights through.And no mistake, this film is Aronofsky and Portman. As mentioned, Aronofsky captures everything beautiful in the frame, the camera movement is almost as smooth and beautiful as the dancers themselves on the screen. The use of panoramic pictures in the back of the head was a bit "with his own, allowing you to see what the character is. And his use of light is not unusual. But now comes the real star Natalie Portman. She left me breathless, from the beginning to the end, he displayed his transformation into a cute girl obsessed with physically and mentally, all the way to try to embody the white swan and black, if necessary, literally trying to get them in your mind, driving you mad in pursuit of excellence. Words can not describe Portmans performance here to say that it is worthy of an Oscar would be a huge understatement in the depth of his character is so deep that it's almost worth it to play two different roles. So fragile at the time that you are afraid for their lives, and so damaged that others hate her. Acting at its best, Portman deserves Oscar.All at all, the movie is almost perfect, one of the best series I've ever seen, and one that is so characteristic and intense as it is scary sometimes. Just to mention a few other things, Winona Ryder, in a small amount of screen time he had, it was great, and really scary in different scenes. And as always, when Aronofsky and Clint Mansell team up, the result is an epic and mysterious, somehow at the same time. Overlock the result of a distorted version of Swan Lake and perfectly complemented intense atmosphere throughout the film, as the two artists have done before. You can almost work as a silent film, this is how brilliant it is. If you have a chance when the movie progresses more theaters to see it without a doubt, his harrowing and sometimes difficult to watch, but it is a combination of beauty and horror can not escape.
